Thoughts on comments from Nihon Falcom and reports on Xbox Scarlett being a streaming service! Mega Man X and Sonic Mania Plus! How many Nindies per week?!
Plus, hear what we have been playing this week. Then our thoughts on Octopath Traveler Sales and Ys VIII and more Nintendo Labo?!
Check it out below, and Happy Gaming! Remember to check up with us on Twitter and Discord!
Numbers in brackets are previous positions based on: 17/06/2018 (Unless they haven’t moved) in the UK eShop
Mario Tennis Aces debuted this week!
1: Minecraft (NEW) – £19.99
2: Hollow Knight (NEW) (Down from 2nd) – £10.99
3: Mario Tennis Aces (NEW) – £49.99
4: Splatoon 2 (Up from 6th) – £49.99
5: Astro Bears Party (Down from 2nd) (80% OFF) – £0.89 (Usually £4.49)
6: Golf Story – £13.49
7: FIFA 18 (Down from 3rd) (67% OFF) – £18.14 (Usually £54.99)
8: Overcooked: Special Edition (Up from 10th) – £17.99
9: Rocket League (Down from 9th) – £15.00
10: Arcade Archives: Donkey Kong (Up from 14th) (NEW) – £6.29
11: Stardew Valley (Down from 4th) – £10.99
12: Paladins: Founder’s Pack (Down from 9th) (NEW) – £24.99
13: The Legend of Zelda: Breath of the Wild (Up from 21st) – £59.99
14: Ultra Street Fighter 2: The Final Challengerss (Up from not Charting!) – £34.99
15: Football Manager Touch 2018 (Up from 17th) (33% OFF) – £20.09 (Usually £29.99)
16: Darkest Dungeon (Up from 23rd) – £17.99
17: Shaq Fu: A Legend Reborn (Down from 5th) – £17.99
18: Arcade Archives: Vs Super Mario Bros (Down from 15th) – £6.29
19: Bloodstained: Curse of the Moon (Down from 13th) – £8.99
20: Mario Kart 8 Deluxe (Up from 22nd) – £49.99
21: Resident Evil Revelations (Up from 26th) – £15.99
22: Donkey Kong Country: Tropical Freeze (Down from 19th) – £49.99
23: The Sexy Brutale (Down from 18th) – £17.99
24: Sonic Mania (Up from 28th!) – £15.99
25: Wizard of Legend (Down from 16th) – £13.99
26: Robonauts (Up from not Charting!) (80% OFF) – £2.69 (Usually £13.49)
27: Super Mario Odyssey (Up from not Charting!) – £49.99
28: Violett (Up from not Charting!) (80% OFF) – £1.79 (Usually £8.99)
29: Resident Evil Revelations 2 (Up from not Charting!) – £19.99
30: Mario + Rabbids Kingdom Battle (Up from not Charting!) – £49.99
1: Hollow Knight (NEW) – £10.99
2: Astro Bears Party (80% OFF) – £0.89 (Usually £4.49)
3: Golf Story (Up from 5th) – £13.49
4: Arcade Archives: Donkey Kong (NEW) – £6.29
5: Stardew Valley (Down from 3rd) – £10.99
6: Paladins: Founders Pack (NEW) – £24.99
7: Football Manager Touch 2018 (Up from 12th) (33% OFF) – £20.09 (Usually £29.99)
8: Darkest Dungeon (Up from 15th) – £17.99
9: Shaq Fu: A Legend Reborn (Down from 4th) – £17.99
10: Arcade Archives: Vs Super Mario Bros – £6.29
11:Bloodstained: Curse of the Moon (Down from 8th) – £8.99
12: Resident Evil: Revelations (Up from 17th) – £15.99
13: The Sexy Brutale – £17.99
14: Sonic Mania (Up from 19th) – £15.99
15: Wizard of Legend (Down from 11th)– £13.99
16: Robonauts (Up from 21st) (80% OFF) – £2.69 (Usually £13.49)
17: Violett (Up from not Charting!) (80% OFF) – £1.79 (Usually £8.99)
18: Resident Evil: Revelations 2 (Up from 24th) – £19.99
19: Celeste (Up from 20th) – £17.99
20: The Sparkle 2 Evo (Up from not Charting!) (80% OFF) – £0.89 (Usually £4.49)
21: West of Loathing (Down from 16th) – £9.00
22: Snipperclips: Cut It Out, Together! (Up from 27th) – £17.99
23: Uno (Up from not Charting!) (30% OFF) – £5.59 (Usually £7.99)
24: Nine Parchments (Up from 30th) – £17.99
25: Subsurface Circular (Up from 28th) (20% OFF) – £3.83 (Usually £4.79)
26: Jackbox Party Pack 3 (Up from not Charting!) – £20.03
27: Ikaruga (Down from 18th) – £13.49
28: I Am Setsuna (Up from not Charting!) (50% OFF) – £14.99 (Usually £29.99)
29: OwlBoy (Up from not Charting!) (30% OFF) – £13.29 (Usually £18.99)
30: Kamiko (Up from not Charting!) (40% OFF) – £2.69 (Usually £4.49)
So this has become a bit of a mess to read. First of note – Mario Tennis came in behind Hollow Knight and the new update for Minecraft.
Secondly, most movements are simply readjustments based on sales. The stories are the return of Mario + Rabbids and Mario Odyssey, alongside some games on sales in the lower ends of the charts. Interesting, Ultra Street Fighter 2 has reappeared despite a better value Street Fighter Collection being available.
In the Download Exclusives charts, things remain mostly the same in order, minus retail titles, until the lower ends, as usual. Here we see resurgence from Kamiko, OwlBoy and I Am Setsuna, all on sale.
The real story is the domination of sales once again, with new sales filling the lower charts and old sales leaving lingering effects.
Next week we will see the three-way battle between Wolfenstein 2: The New Colossus, Ys VIII: Lacrimosa of Dana and Crash Bandicoot: N. Sane Trilogy! Happy Gaming!
Numbers in brackets are previous positions based on: 03/06/2018 (Unless they haven’t moved) in the UK eShop
Fortnite: Battle Royale launched on Nintendo Switch this week.
Note, the charts now have TWO categories: Games also at retail, and eShop exclusives. Both will be covered here, and there are now 30 games per list. However, as the Download Exclusives chart is new, there will be no chart placement shifts this week.
1: Hollow Knight (NEW) – £10.99
2: Astro Bears Party (Up from not Charting!) (80% OFF) – £0.89 (Usually £4.49)
3: FIFA 18 (Down from 1st) (67% OFF) – £18.14 (Usually £54.99)
4: Stardew Valley (Down from 2nd) – £10.99
5: Shaq Fu: A Legend Reborn (NEW) – £17.99
6: Splatoon 2 (Up from not Charting!) (33% OFF) – £33.49 (Usually £49.99)
7: Golf Story (Up from not Charting) (34% OFF) – £8.90 (Usually £13.49)
8: Rocket League (Up from 11th) (25% OFF) – £11.25 (Usually £15.00)
9: Paladins: Founders Pack (NEW) – £24.99
10: Overcooked: Special Edition (Up from not Charting!) (40% OFF) – £10.79 (Usually £17.99)
11: Minecraft: Nintendo Switch Edition (Down from 6th) – £19.99
12: Mario Tennis Aces (Pre-Order) – £49.99
13: Bloodstained: Curse of the Moon (Down from 3rd) – £8.99
14: Arcade Archives: Donkey Kong (NEW) – £6.29
15: Arcade Archives: Vs Super Mario Bros (Down from 12th) – £6.29
16: Wizard of Legend (Down from 4th) – £13.99
17: Football Manager Touch 2018 (Up from not Charting!) (33% OFF) – £20.09 (Usually £29.99)
18: The Sexy Brutale (Up from not Charting!) (50% OFF) – £8.99 (Usually £17.99)
19: Donkey Kong Country: Tropical Freeze (Down from 9th) – £49.99
20: Mecho Tales (Up from not Charting!) – £7.49
21: The Legend of Zelda: Breath of the Wild (Up from not Charting!) (25% OFF) – £44.99 (Usually £59.99)
22: Mario Kart 8 Deluxe (Up from not Charting!) – £49.99
23: Darkest Dungeon (Up from not Charting!) (25% OFF) – £13.49 (Usually £17.99)
24: West of Loathing (Up from not Charting!) – £9.00
25: Yoku’s Island Express (Up from not Charting!) – £15.99
26: Resident Evil: Revelations (Up from not Charting!) (25% OFF) – £11.99 (Usually £15.99)
27: Ikaruga (Down from 10th) – £13.49
28: Sonic Mania (Up from not Charting!) – £15.99
29: Hyrule Warriors: Definitive Edition (Down from 8th) – £49.99
30: Celeste (Up from not Charting!) – £17.99
1: Hollow Knight (NEW) – £10.99
2: Astro Bears Party (80% OFF) – £0.89 (Usually £4.49)
3: Stardew Valley – £18.14 (Usually £54.99)
4: Shaq Fu: A Legend Reborn (NEW) – £17.99
5: Golf Story (34% OFF) – £8.90 (Usually £13.49)
6: Paladins: Founders Pack (NEW) – £24.99
7: Minecraft: Nintendo Switch Edition – £19.99
8: Bloodstained: Curse of the Moon – £8.99
9: Arcade Archives: Donkey Kong (NEW) – £6.29
10: Arcade Archives: Vs Super Mario Bros – £6.29
11: Wizard of Legend – £13.99
12: Football Manager Touch 2018 (33% OFF) – £20.09 (Usually £29.99)
13: The Sexy Brutale (50% OFF) – £8.99 (Usually £17.99)
14: Mecho Tales – £7.49
15: Darkest Dungeon (25% OFF) – £13.49 (Usually £17.99)
16: West of Loathing – £9.00
17: Resident Evil: Revelations (25% OFF) – £11.99 (Usually £15.99)
18: Ikaruga – £13.49
19: Sonic Mania – £15.99
20: Celeste – £17.99
21: Robonauts (80% OFF) – £2.69 (Usually £13.49)
22: ICEY – £7.59
23: Plague Road – £11.99
24: Resident Evil: Revelations 2 (28% OFF) – £14.39 (Usually £19.99)
25: Legendary Eleven (NEW) (11% OFF) – £7.99 (Usually £8.99)
26: Hollow – £17.99
27: Snipperclips: Cut It Out, Together! – £17.99
28: Subsurface Circular (20% OFF) – £3.83 (Usually £4.79)
29: SteamWorld Dig 2 – £14.99
30: Nine Parchments (50% OFF) – £8.99 (Usually £17.99)
So this has become a bit of a mess to read. First of note – Sushi Striker is nowhere to be seen.
Secondly, E3 sales have propelled games right up the charts, disrupting the usual flow. Paladins has had a successful launch and due to the new nature of the charts we can see many first party titles filling out lower areas of the charts.
Interestingly, the pre-load for Mario Tennis Aces is charting. Indie gem Hollow Knight has taken the top spot.
In the Download Exclusives charts, things remain mostly the same in order, minus retail titles, until the lower ends, where Snipperclips, Hollow, and more reside. This added exposure will likely help sales along in future.
The real story is the domination of sales though. Interesting, Free To Play titles like Pokemon Quest, Fortnite and Fallout Shelter aren’t included here.
Next week we will see if Mario Tennis Aces can prove a hit, and if any other classics reappear in sudden sales or pre-loads! Happy Gaming!
Numbers in brackets are previous positions based on: 27/05/2018 (Unless they haven’t moved) in the UK eShop
FIFA 18’s World Cup Mode launched last week, alongside a sale.
1: FIFA 18 (67% OFF) (Up from 4th) – £18.14 (Usually £54.99)
2: Stardew Valley (Down from 1st) – £10.99
3: Bloodstained: Curse of the Moon (NEW) (Up from 8th) – £8.99
4: Wizard of Legend (Down from 2nd) – £13.99
5: 60 Seconds (Up from 10th) – £8.50
6: Minecraft: Nintendo Switch Edition – £19.99
7: Mega Man Legacy Collection (NEW) (Up from 9th) – £11.99
8: Hyrule Warriors: Definitive Edition (Down from 3rd) – £49.99
9: Donkey Kong Country: Tropical Freeze (Down from 7th) – £49.99
10: Ikaruga (NEW) – £13.49
11: Rocket League (Up from 12th) – £15.04
12: Arcade Archives: Vs. Super Mario Bros. (Up from 14th) – £6.29
13: Mega Man Legacy Collection 2 (NEW) (Up from not Charting!) – £11.99
14: SteamWorld Dig 2 (25% OFF) (Up from not Charting!) – £11.24 (Usually £14.99)
15: Hollow (75% OFF) (Up from not Charting!) – £4.49 (Usually £17.99)
Only one truly new chart entry this week in Ikaruga. The cult classic appears to have resonated with fans in the UK. Elsewhere all other new titles are from the prior week.
Mega Man Legacy Collection climbs again, and the second Collection, though less popular, has appeared in the lower reaches below mainstays Rocket League and Arcade Archives.
At the lower end of the chart we see Hollow and SteamWorld Dig 2 appearing yet again on sale. The power of sales is evident each week in the UK.
60 Seconds is fresh out of sale, and Wizard of Legend will likely begin a descent now that the new period has passed. Of course Bloodstained shot up the charts, showing hunger for old-school Castlevania action.
Finally, the first party titles hold strong in the middle with both Hyrule Warriors and Donkey Kong steady long after launch.
The main story though is the dropped price for FIFA 18 proving that at the right price, the Switch version will sell. It’ll likely stay there for as long as the sale lasts.
Next week we will see if Sushi Striker can prove a hit, and if any other classics reappear in pre-E3 sales! Happy Gaming!
Numbers in brackets are previous positions based on: 20/05/2018 (Unless they haven’t moved) in the UK eShop
The Mega Man Legacy Collections released only on the UK eShop in the region.
1: Stardew Valley – £10.99
2: Wizard of Legend (NEW) (Up from 8th) – £13.99
3: Hyrule Warriors: Definitive Edition (NEW) (Up from 5th) – £49.99
4: FIFA 18 (67% OFF) (Up from not Charting!) – £18.14 (Usually £54.99)
5: WonderBoy: The Dragon’s Trap (Up from 9th) – £17.99
6: Minecraft: Nintendo Switch Edition – £19.99
7: Donkey Kong Country: Tropical Freeze (Down from 2nd) – £49.99
8: Bloodstained: Curse of the Moon (NEW) – £8.99
9: Mega Man Legacy Collection (NEW) – £11.99
10: 60 Seconds (75% OFF) (Up from not charting!) – £2.12 (Usually £8.50)
11: Death Road to Canada (Down from 3rd) – £11.99
12: Rocket League (Down from 7th) – £15.04
13: Timber Man Vs. (Down from 3rd) – £1.79
14: Arcade Archives: Vs. Super Mario Bros. (Down from 11th) – £6.29
15: Yonder: The Cloud Catcher Chronicles (NEW) – £22.99
Interesting Hyrule Warriors shot up digitally but can’t claim the top from Stardew Valley. The game is very limited at retailers such as Amazon, so this will persuade many to go digitally. Donkey Kong also begins it’s fall.
Timber Man falls fresh out of sale, and Rocket League continues to be pushed down by new releases as does Arcade Archives. Death Road to Canada fell sharply after the sale ended there too.
Speaking of sales, 60 Seconds appeared in the charts for the first time. Wizard of Legend has made a name for itself as well, climbing fast. WonderBoy also maintains a high spot after leaving a sale.
New release really dominate this week. Bloodstained and Mega Man both fill the middle of the charts, but Legacy Collection 2 is nowhere to be seen. Maybe it will appear in coming weeks?
The real story is the sale on FIFA 18 (Now being sold for a higher price I must stress!) has catapulted it once again up the charts. Yes, Runner 3 is nowhere to be seen.
Next week we will see if any indies can prove powerful forces on the storefront, and if Mega Man can get the second collection on the board. Maybe Hyrule Warriors will even hit number one? Happy Gaming!
So my history with YouTube is a storied one. I started back in 2009, May to be exact. Playing games, going for completion, all that good stuff. I was 13, and I hate thinking about it! But we all start somewhere.
Over the 9 years I took a two-year gap for my education before a re-launch with my friends, where we all played games together and the company made it easier for me to talk, and be more confident.
This continued, we got a capture card, now replaced with a superior model, and it maintained until 2016 when I finally got off my butt and got a decent PC for better quality both audio wise and for visuals.
Back in 2013 YouTube changed the rules for the partnership program, allowing almost anyone to become monetized. Now YouTube was never about the money, personally I do it because gaming is my passion, and as the years went on I felt more and more confident in my media abilities.
When this change happened, I set a goal: Only allow myself into the program when I reached a goal I felt was acceptable.
By September 2014, I was part of an excellent MCN, and had the support of a community and staff behind it when needed. I only did this when I felt right, not when YouTube told me.
But growth felt like it stalled. My drive died over the 3 years I was at university…like everything else in my life at the time, and I felt quality, quantity and more fell behind. I began thinking of format changes, right around the time I knew I was moving back home, coincidentally right alongside the announcement that YouTube would change its policies slightly to create a 10,000 lifetime view requirement for channels to be monetized, back in April 2017.
Then of course 9 months later the goalposts moved again. Now it’s 1000 subscribers and 4000 hours of watch time in 12 months, in addition to the lifetime views. As such, we lost access to monetization and any features associated with being partnered – What those are, I am not sure and nor is my former-MCN, because honestly expecting YouTube to communicate is laughable.
But that announcement was what finally spurred me on with those changes to format, moving to a live format, mostly on Twitch, and making a wider transmedia brand. Seeing the goalposts constantly move not even a year apart with little warning, poor communication and more, led me to make the moves I don’t regret one bit.
Making content is easier and better looking. I can engage with the audience more. Everything worked out better. If I ever become eligible for Twitch Affiliate status or more, chances are I wont take it, just like with the partner program, until I hit MY goals, not one set by a platform, that will likely change arbitrarily within 9 months.
Do I disagree with why YouTube made these moves? No. YouTube is a near constant black hole for Google and something had to be done when media began blasting it for monetised content that really shouldn’t be monetised. What I don’t agree with is the poor communication on what will and won’t be available to those affected, nor the guarantee the goalposts won’t constantly move.
Now, on to Capcom, since we are talking about financial black holes.
Capcom and the EU market have what I would call a bad relationship. Back in the NES and SNES days, let’s take Mega Man for instance, Nintendo or some other random publisher had to publish the games here for them, which lead to Mega Man 6 never being released here until the 3DS happened.
But the Mega Man Collections on PS2 were never published here either. Mega Man Star Force 3 never made it here. Battle Network was published by Ubisoft in the region.
Jump forward to now and you would think the issues of the past were gone, but no. Both Mega Man Legacy Collections have physical releases on PS4, Xbox One and Switch…but not here. Couldn’t tell you why, I’m sure only Capcom knows.
This is next to the laughable cheap skate attitude around the Switch port of the Legacy Collection Double Pack, which has a 500MB at most game on the card, with a download code for the 6GB game. Why? Capcom.
Of course we don’t even get that release here. Digital only.
Resident Evil Revelations got the same treatment on Switch. Here in the EU there are physical releases of both games on other systems, but not Switch, and Capcom cited “monetary reasons”. Basically they don’t see the market for it.
I have to say thank God for digital, otherwise it’d be the 90s and 2000s again for us.
But this goes beyond Capcom now. Nintendo is publishing the physical EU release of Dark Souls, for some reason. Is the EU really that hard for publishers? Are most 3rd party Switch games going to be handled by external publishers now if we want them here at retail?
Capcom has slipped back to treating the EU like it did in the 90s. Limited physical releases and even then only on certain systems, or mandatory downloads for Switch games you get physically. Of course Capcom isn’t the only one guilty of this, and in the case of Revelations there was a logistical reason for it, but for Mega Man, someone should let them know 8GB cards exist.
The way other publishers are going about things, especially on Switch, the EU regions feel more and more like a last-minute effort market. Maybe it’s the multiple expensive ratings boards like PEGI and USK. Maybe it’s the currencies, or the logistics across borders. Who knows.
All I know is the EU market is becoming the afterthought again, and if that is the case, the digital future can’t come soon enough. Even then we get games months late.
Wow. So I’m in a moment of absolute shock. Given Capcom’s recent actions, I expected absolutely nothing from the Mega Man 30th Anniversary stream. Not one thing. After Legacy Collection 2 skipping Nintendo Switch, all the cancelled games, their other shenanigans with other franchises and attitudes towards platforms, I just figured it was merch.
My foot is firmly lodged in my mouth.
So let’s start with this: The Mega Man X Collection, featuring X1-8, with the first ever re-releases of X7 and X8, and in the EU, the first ever re-releases of X4-6. I am overjoyed at finally being able to sink my teeth into the PS1 titles, since otherwise I’d need to seek original copies. This is a huge deal both for EU gamers, and gamers world-wide, and of course, it’s coming to all platforms.
Then we have Mega Man Legacy Collection 1 AND 2 coming to Nintendo Switch. After the sales success on 3DS one has to wonder why this didn’t happen sooner, but they have amiibo support, and the developers expressed regret at not being able to do this sooner.
But then, man, Mega Man 11. Who saw this 2.5D styled, really cool looking HD title coming, to be released late 2018? The entire project from the developer interviews reeks of passion, and they admitted they wanted to evolve and resurrect Mega Man, and Capcom has finally allowed them to. This entire endeavour looks like something passionate developers and veterans of both 2D gaming and Mega Man as a series have wanted to make for years.
Can I have this as a wallpaper please?
Capcom, I am very harsh on you. I still think a lot of your decisions on a corporate level have been restricting to developers regarding budgets and time limits, and shoving certain platforms (*cough* Switch) to one side even though it would benefit you is exceptionally stupid, but one thing is clear.
You have finally let the chains off of Mega Man, the developers can make the game they want to make, that we want to see, and I can’t thank you enough for giving them that freedom.
Now roll on 2018 baby!
In a statement to NintendoLife, Capcom revealed that Resident Evil Revelations Collection will NOT be receiving a physical release in the EU.
Capcom has to take various factors into account when deciding what format to deliver our titles to our fans. These can include but are not limited to overall production costs, manufacturing times, distribution, and first party regulations. In the case of Resident Evil Revelations, we’ve found that unfortunately it’s not viable for Capcom Europe to create a physical version of the title on Nintendo Switch for our territories, however we will be making this available as a digital release.
Honestly though, breaking this down it reveals there is no real reason for this.
Here in Europe, you can get physical releases of both Revelations titles, readily available on Amazon, for other systems. If it was truly a cost measure, then maybe I could buy it. Cartridges are expensive after all, but the Collection only has the smaller first title on cartridge. The second game is a download code. Capcom can’t even print a half-assed attempt at a physical collection here! By all logic…this would be cheaper than printing two separate discs for other systems, two unique SKUs, and having both rated separately by PEGI.
In fact, the cost issue is potentially true: PEGI costs a lot of money for submission and rating of physical games. Plus, the cost of printing Nintendo Switch games is also fairly steep, but then again, only one of the games is even physical anyway.
Plus, indie titles are going physical left and right. With the size of Capcom you would think their EU division could be better funded, but here we are. The truth is coming to light.
I’ve noted this before, but Capcom, with the exception of Resident Evil 7, has had a rough time. Street Fighter V is being re-released. Marvel Vs. Capcom Infinite was a footnote in their financials and they even dodged questions about it. Their remasters and collections seem to be dodging more accepting platforms for those games (As historically noted with sales) in favour of keeping costs down. The leaked budget (If it can be called that…) for MVC:Infinite is laughable, and shows how tight the ship has become.
I have said it before in another article but Capcom, I swear now more than ever, this better pay off. Monster Hunter World is throwing away your existing Japanese fanbase, and Western fanbase, in the hope you reach a bigger audience despite appealing to what will most likely be a smaller Japanese audience by sheer install base. To do this, you are spending more money developing the game. It better pay off Capcom, I sincerely hope so, because if it doesn’t, the writing is clear.
Personally, I’m also sick of Capcom giving Europe the shaft AGAIN regarding physical releases, like the Megaman Legacy Collections, almost every Mega Man Collection actually, and many, many more games we either didn’t get, or got digital only because “Cost”.
Tomorrow, there will be a bigger article about physical distribution across all platforms, because no system is sage anymore.
But until then, leave some comments, share with your friends, and I’ll see you all next time! Happy Gaming!
So EA closed Visceral in late 2017, suddenly but to the surprise of no one. As it happens this was just yet another in their hit list: Be it studios swallowed whole or internal studios biting the dust.
Now EA, not long after disbanding Visceral and their single player Star Wars project, has bought Respawn and the IP for Titanfall.
Titanfall 2 was actually surprisingly awesome, and it even made a little marketing push on having no DLC, no micro transactions, and just being a solid game you got the entirety of with one purchase.
And EA, the publisher, put it right in between Call of Duty, and it’s OWN Battlefield 1, effectively cannibalizing its sales. We now also know with this acquisition that Titanfall 3 is a thing in the works. Taking bets as to how that will turn? Well let’s look back at Dead Space.
EA wanted Dead Space to be a multimedia thing. It didn’t happen, but the first two games sold really well. Dead Space 3 however, needed 5 million sales for a future, and had micro transactions and modes added that frankly had no place in a game like that: Sales tanked, Visceral got moved to Battlefield Hardline, that didn’t do too well, and now they are gone.
You can probably tell what Titanfall 3 will be like can’t you? Oh, and the developers get bonuses based on how well the games review. Money talks apparently.
Respawn is just yet another studio with talented staff, good IP and a drive to make good games snatched up by proverbial vultures. When, and it isn’t a case of “If”, Respawn is closed by EA, it will be for not meeting expectations. But what are those expectations?
Let’s look at Activision’s Q4 2016 sales figures:
Activision Blizzard confirmed during their Q4 2016 Earnings Call that the entire company, across Activision and Blizzard titles, made over $3.6 billion just from in-game content sales. In-game content sales includes Call of Duty Points, Overwatch Loot Boxes, and more.
Now let’s look at Take Two:
“We’ve said that we aim to have recurrent consumer spending opportunities for every title that we put out at this company. It may not always be an online model, it probably won’t always be a virtual currency model, but there will be some ability to engage in an ongoing basis with our titles after release across the board,” Zelnick said.
EA themselves have quoted games as a service model as a key driver.
Let’s be honest though, is this shocking? No. Businesses exist to make money, but the more staff they have to hire, the more the consumer demands better graphics, the more capable the hardware for games becomes, and the longer games take to make, means bigger budgets, more wages, and ultimately, a need to sell more copies. Far, far more.
Part of this is the “$60” price tag of games. One time purchase, that’s it. No more money for the publishers and developers. So what do they do? Find a way to increase monetization: A constant stream of revenue. Lootboxes, In-app purchases, DLC, it all goes straight to them. But it doesn’t stop at covering costs, it continues to making as much money as humanly possible, often with minimal effort and some very dodgy practices.
Take Call of Duty: WWII for instance. The game has lootboxes, with a twist. Others can see what you get, with the aim of seemingly spurring jealously.
According to redditor cuzseile, who uploaded the video, the supply drop exists in the game world but other players can’t steal it, which you’d expect. But cuzseile reports other players can see what you get from a supply drop
The psychology of reward and feeling good is at full use here, akin to gambling, and of course, Activision also has that patent, where matchmaking can be based on pushing you via losses and other players into purchasing lootboxes.
Publishers have leapt to the furthest end of the spectrum in seeking additional monetization. Honestly, as many have noted, if the game was free it could easily sustain itself on in-app purchases just on player base. Any game could in theory. In practice though, its not just a case of making ends meet as they claim: Now it’s predatory, and now it is about milking as much as possible.
Even smaller studios, to loop back to the start of the article, are in need of money. It is why studios are bought up: They need publishers, and a source of income. Why wouldn’t you take that opportunity if presented? But the publishers typically twist and gut the studio into their vision of maximised profits.
Personally, I would be fine with a $10 price increase on games. That could go a surprisingly long way to meeting costs and break even points. Sadly though, the big publishers have already tasted the blood in the water, and won’t settle for the more market friendly lesser revenue.
AAA gaming is a vulture. Or maybe a parasite is more apt? Either way, it swallows creativity whole, and turns studios most people knew and loved of all sizes into factories, producing not games but products.
As an aside, during my time studying Games Design at university, this is the model we were taught: Not to produce games, but products. Plan ahead from the mere conception of a game to form ways of further monetizing, be it DLC, removing content to sell later, or in app purchases. This is something I heartedly disagree with. Yes, in-app purchases have a place, mostly in free games, but not in a title already paid for.
The games industry is a ravenous beast, hungry for the taste of as much revenue as possible, and all the talent it can absorb to get that revenue. As consumers want more from games, studios need to fund that. They turn to publishers who want as much money as possible, then in a few years see more hardware come out, games look better, cost more to make, and the cycle continues.
The industry isn’t unsustainable, at least not yet. It needs change. Perhaps the biggest problem is that it is noticeably cannibalising itself, breaking down what talent it has and the bright futures and ideas of many, in the sake of the now, the money, the gain, and it isn’t looking to the future, where games are solely predatory and more expensive than ever, without any reason to be that way.
As always if you enjoyed this article leave a comment with your thoguhts, share with your friends, and happy gaming!
So Capcom. Sometimes I do wonder if you don’t like money. I mean, Marvel Vs Capcom Infinite would have been a great deal and a big success if it was properly funded…
Street Fighter V could have been big if it was a finished game with balanced methods of unlocking content.
And what is this excuse regarding Nintendo Switch support?
According to a spokesperson for the company, it noted that it’s general procedure for third-party software developers to make re-releases for a new console within the first year of launch, mainly because there’s just not enough time to work on new titles within the timeframe.
Come on Capcom. Every has seen your early support for other systems. We know that’s BS.
Why not localise Monster Hunter XX? In your recent earnings report you listed it as a reason you did so well, along with Ultra Street Fighter 2! Oh, is it because of Monster Hunter World? Don’t worry, I’ll get to that.
A collection of Mega Man games came out on PS4, PC, Xbox One, and later, 3DS. The 3DS version sold the most units. Where is the second Collection at, Capcom? If not on 3DS then why not Switch? In fact data was found pointing to the 3DS version existing.
A dataminer named Greigamaster recently found some code that indicates a multiplayer battle mode for a supposed 3DS version. Additionally, code was found referring to saves and replays for an SD card, and the 3DS has its own directory file, too. As the source article points out, this either means that the game is coming to 3DS, was initially coming to 3DS before getting canned, or it’s completely unrelated to the collection at all and is just simply code belonging to another project by the same team.
What? Okami HD (Again.)? That did pretty well back on Wii. Why not make a Switch port? Easy money again right?
Capcom, I know for whatever reason, you don’t want to make money. I know that taking a game to it’s biggest market is alien to you. But come on. Someone there has to see the writing on the wall. There are markets, not even just Nintendo, that would do wonders for some of your games, and others that wouldn’t. And yet you do the opposite of the logical thing.
Now let’s talk about Monster Hunter World.
You want your game to reach a global audience right? Increased revenue. Okay, fair enough.
This game will obviously cost far more to produce than the 3DS entries. It will need to sell far more to make back that investment. But part of me thinks this is a very dangerous move. Sure it could boost the popularity of the franchise internationally….but that will be at a cost.
The game is coming to PS4, Xbox One and PC. But only on PS4 in Japan. 5 million potential sales right there, in the biggest market for the game. Compared to the 20+ million for 3DS, but of a fall. We know Nintendo Switch is eating away at that too, already past 2 million units, but that’s neither here nor there.
But Japan isn’t really into stationary consoles. They want portable experiences, it’s part of their culture and lifestyle. You’re potentially alienating the domestic market, and largest market, for a franchise you just invested more than ever into.
And let’s not get started on the Western situation. The series hit untold highs in the West on 3DS, and it is well documented the series sells best on portables, even back in the days of PSP/PS2. Is there any guarantee that the Western console markets will pick this up and that fans will migrate from 3DS/Switch where the fanbase grew?
No. Not at all.
This is a huge risk Capcom, I hope you understand that. Taking the game from it’s proven largest domestic market, and it’s largest Western market, spending far more money to do so therefore demanding more sales…all in the hope of a bigger audience.
I hope you appreciate how insane that sounds.
Look, if it works it works. But for a company so averse to doing the logical thing and making more money than they would otherwise, this feels like a huge risk, and if it fails…well you better start rethinking your strategy at long last. I don’t think this can go the way of Street Fighter V.
