Ys VIII: Lacrimosa of Dana (Nintendo Switch) | Review

20th July 201824th November 2021Sean Alexander

Title: Ys VIII: Lacrimosa of Dana
Platform: PlayStation 4, PlayStation Vita, PC, Nintendo Switch
Reviewed On: Nintendo Switch
Developer: Nihon Falcom
Publisher: NIS America

Copy Provided By: Bought it with my own money!

Ys VIII: Lacrimosa of Dana

“Yeah, I Am AWESOME!”

If you’re wondering where I have been since my last article, this game is the sole culprit. Never since Xenoblade Chronicles X has a game grabbed my attention so thoroughly and kept me hooked from start to end over nearly 50 hours of playtime.

First I would be remiss to not mention the soundtrack. As I have been told is normal for Falcom titles, this game nails a mix of sombre, energetic, rock and orchestra at just the right moments. Such variety keeps the game from feeling stale and helps push it’s identity as an adventure first and foremost.

Below are two examples of this varied soundtrack: The Theme of Dana, and the theme for the first area of the game proper.

Story of Ys VIII?

In terms of plot, Ys VIII is relatively simple. What you get is a very personal story, around a group of castaways on an island simply trying to survive and escape, before the greater mystery unveils itself and the two segue into each other very well. The star of the show isn’t the overarching plot lines, which do keep you guessing, but the Castaway Village.

Every character in your party of 6, or any of the people you rescue, and wholly unique. Some are snobbish aristocrats. Some are military men with a more artistic side. One is an insufferable artist. This clashing of characters and ultimate teamwork is incredibly satisfying to watch as almost everyone accepts that they are kindred spirits despite their backgrounds.

You spend a lot of time learning about them, via the timed side quests you get, and gifts you can hand to them. This raises their approval, which improves how you do in the Raid defense missions and Hunting missions. Maxing out Approval nets you a fully voiced heart to heart conversation with the character in question too, revealing more about the small but varied cast.

Of course, raising approval, taking part in raids and hunts all raises the main character, Adol Christin’s, “Reputation”. With a high enough reputation stat by end game, you earn the best ending and bonus content.

Sometimes the text in Ys VIII can be a funny read though. But this is rare.

How Is The Gameplay?

Ys VIII is an Action RPG. You use Y to switch between your active party members at any time, which is handy for enemies that require a certain weapon type.

This kind of dynamic means you will never be short on health, and battles can be quick or slow depending on the volume of enemies and how you approach them. Using charged attacks lets you use Special Skills, which level up independently of characters and have various effects such as counters, ranged attacks, Area of Effects and more. 4 can be assigned and swapped out at any time, just like party members.

Bosses are also a highlight, a range of impressive beasts to take on that all require different strategies.

Bosses in Ys VIII can range from small to gargantuan.

Combat is incredibly fluid and frantic, and with status effects and plenty of customisation the game never feels stale, in even in the more restricted Dungeons, where you want to craft meals and bring medicine to help along.

Characters also have gear to equip. These impact stats via one body piece and one arm piece, with two accessories. Further, the Switch release comes with all included DLC costumes for some visual variety.

Progression?

Adventure Gear is an excellent feature that assists in what is a Metroidvania style structure. Each area connects to another by either immovable blockade that requires rescuing castaways, or Adventure Gear that is found as you progress such as a Double Jump.

These always come right as you start to feel restricted, and exploring previous areas leads to more items, gear and Castaways. This constant loop of exploring, reward and crafting items, weapons and more, leads to a very satisfying experience.

Of course, side quests are aplenty and do run on a time limit, so a complaint is that you can potentially miss them. Same with raids, that attack Castaway Village periodically, diverting from your current task, though you can fast travel. Side Quests and Raids are essential to the best ending of course.

Ys VIII never stops giving you things to do.

There is always something new to do and see.

What About The Post Game?

Ys VIII has a surprisingly length post game. There are several super bosses and one very, very, VERY large dungeon to clear that nets you plenty of gear, including a reward of party size adjustment and adding different weapon types to a single character.

All this can then be carried over the New Game Plus, and there is even a Time Attack mode. Plus, plenty of Raids and Hunts come up at the end of the game as well. You won’t be left wanting with this title.

Even completing the map gets you rewards for every 10% so simply walking around is a reward in of itself. This is a game that gives you what you need when you need it and lets you make your own path, and rewards you.

Any Negatives?

To be frank, this game isn’t the most impressive, being a Vita title originally. This is evident in some shapes and objects, as well as texture work. Passable, but it does look better in handheld mode. The game also did crash once or twice, but that doesn’t detract from my experience due to very frequent autosaves.

The fact you can miss quests is perhaps the biggest gameplay flaw. But, with frequent trips that you make to the Village anyway, you likely won’t miss them if you are diligent!

I suppose there are the odd graphical quirks as well. Some are incredibly hard to replicate, so the frequency is uncertain, but it never detracted from the experience.

Feeling okay there Hummel?

This is my final takeaway from this game. The odd quirks and errors in text are by no means a detraction from the game. The gameplay is exceptionally solid, the game is rewarding, and most of all Ys VIII never slows down. There is always somewhere new to see.

To Conclude?

Ys VIII: Lacrimosa of Dana is an entry in a franchise I am ashamed to say didn’t catch my eye until Nintendo shoved it in my face earlier this year. I see this sentiment from a lot of people in all honesty, so the new light should push the series to new heights. It absolutely deserves it.

Ys VIII on Switch, for all it’s technical snags and weird text, is excellent. Simply an outstanding Action RPG well worth your time playing and enjoying.

I don’t say this lightly, but Ys VIII is my favourite game of 2018 thus far. That surely speaks for itself.

Thanks for reading, and if you like, you can check out other articles on the site! Sorry I vanished because of this game… but exciting things are to come. See you all later and Happy Gaming!

Xbox Game Pass is a solution to getting games for cheap in a buffet format

Behind The Game Podcast – Episode 1! 27/01/2018

27th January 201824th November 2021Sean Alexander

Welcome to the first Behind The Game Podcast, discussing the last week in gaming.

Today we have the PSN outtages, death of Miitomo, Paragon and Twitch’s push to surpass YouTube, as well as GDC Surveys, Switch Sales, and more!

If you like what you see, give this a share on social media, feel free to suggest topics for next week, and we will see you then on Behind The Game! Happy Gaming!

Impressions: PlayerUnknown’s BattleGrounds!

21st January 201824th November 2021Sean Alexander

An exercise in frustration, or an amazing game with a great concept?

So PUBG is something I have been aware of for a few months but never got into for monetary and other reasons. I simply had too much to do. But yesterday, live on stream, I played my first few matches.

I had only seen sparse footage of the game, or real discussion about it beyond its influence on Twitch and gaming as a whole. I know the story behind its creation, but not much of the actual gameplay beyond what is, on paper at least, an amazing concept.

Airdrop up to 100 players into a huge map. Have them scavenge for armour, weaponry, tools and upgrades to their equipment…and kill each other. As they do this, the play area shrinks. Fall outside of this, your health is drained. So you have 100 people being funnelled down into a smaller and smaller area, and the last man standing wins.

This is truly an excellent concept…on paper.

Personally the idea of only two maps is a bit disheartening, until you realise these maps are huge, and the high variance of the games means every play will be different. You’ll never have the same round twice. Almost.

The execution of this concept is what drives me to a mixed reaction to it.

There are primarily three scenarios for your time in PUBG:

You are not likely to have two matches play out the same, unless you are unfortunate enough to be airdropped in next to someone, or a few people, who quickly find weapons, and bang, you are out of there within two minutes.

That isn’t the most fun aspect of the game. If you get lucky and don’t die immediately (Great! You got lucky!) you now need to find weapons. You can spend a good while running through open spaces (And thus be an obvious target) between buildings that may or may not end up with you defending yourself. Or dying if someone is hiding in one. That can happen too.

Long and short, you can spend a long time not being able to actually partake in the core of the gameplay.

Streeeessssss pic.twitter.com/wQZF8UQ3Ix

— BLP-Sean | NLInklings (@BritishPlaying) January 20, 2018

Finally, you can end up in the third scenario which plays one of two ways. You’ll either get extremely fortunate and end up in semi-frequent bouts of combat and win, or die, or end up not finding anyone until the map shrinks and there are about 20 players left, and then come out on top…or die.

As shown above I made it to 7th place in a match…where I got two kills and spent a good 20 minutes sat in a house waiting for stuff to happen as the play area shrank and shrank, until I got blasted from the side.

This is easily the most fun part of the game. It’s high adrenaline, and goodness knows a grenade or gunshot with headphones on makes you leap out of your skin in what is a quiet world otherwise. Plus the knowledge that combat is inevitable and closing in on you is an amazing feeling.

This is where PUBG works best. Occasional combat instances, good luck finding weapons, and being able to play smart, assuming people don’t snipe you. Of course, you’ve got a 1 in 3 chance of your game even getting that far. More often than not, it feels like it won’t.

Of course that’s just the game design. Visually the game can range from alright to almost N64 style in visual quality, even at full resolution, as sometimes models and textures are incredibly poor. Other times not, which is a weird inconsistency. Maybe this a downside of playing on “Medium” settings, while streaming.

It should be noted I had very few network related issues, even when streaming the game and hosting a Skype call at the same time. That much is very functional at least, which is mandatory for a multiplayer game.

In terms of controls, I used both a Dualshock 4, and Keyboard/Mouse.

Keyboard worked fine for what it is, everything is mercifully within reach, just as I have explained before however, it’s not the most comfortable solution for me as a player. The downside of using a controller means some features like underhanded throws and quick switching through weapons, aren’t available without sacrificing other things. It’s a prioritize what you need kind of situation.

Finally, aiming seems a little…weird. Guns have the appropriate kind of blowback, which means you won’t just fire in a straight line. But reviewing some “Death Cam” footage (It happened a lot), I can see players do have a hard time lining up shots or even getting them to connect. I don’t know if that’s a network thing of if the aiming is just slightly off, but it’s a strange oddity.

Overall I can say PUBG on PC is something to at least try out. On Xbox One, I don’t know as I can’t test that version, but from what I have seen it’s not as smooth an experience at the moment, compared to the now out of “Early Access” PC version.

But therein lies the problem: The idea of the game is amazing. It’s just luck as to whether it plays out in a way that you enjoy, or if it effectively ends with you in a boring scenario where nothing happens for a good while, or die immediately upon starting.

Thanks for reading this Impressions piece on PUBG! It was an interesting experience and you can bet I will be doing more like this in future! If you enjoyed this article or have your own thoughts on PUBG, let me know on social media or in the comments, and I will see you next time: Happy Gaming!

Matchmaking Is Coming Under Fire in Gaming…

10th January 201824th November 2021Sean Alexander

This was something I have mentioned in passing but recent papers from EA (Surprise…) have revealed that money is likely to determine our online gaming…

A few months ago Activision revealed a patent to influence matchmaking based on win/loss ratios and gear that would interest you from lootboxes.

Basically all this patent does is match you with people with gear you would desire, someone usually more capable with better gear than you, so that you lose. Then you would be presented the gear in lootboxes via micro transactions.

Loot based matchmaking, patented by Activision, but not wanting to be outdone in that insidious manner, EA steps up.

So first we should discuss dynamic difficulty. This is common in older games and the immediate thoughts for me are Spyro 3, and the Crash Bandicoot games.

Dynamic difficulty is an excellent idea in single player. The idea is that if you fail repeatedly in a spot, you get an extra hit point, checkpoints, or in the case of Spyro 3, requirements for challenges and even AI gets toned down to accommodate people having trouble. This is done in real-time, as you play the game.

Personally? I love dynamic difficulty. It prevents player frustration and being stuck in what would feel like an endless loop. But applied to multiplayer…let’s think about that.

So EA wrote two papers, neither are terribly exciting or enjoyable to consider.

One advises that the concept of “fair matchmaking” doesn’t hold up, i.e. paired with players of similar rank, based on the assumption it’s fair. They argue this isn’t optimal for engagement…and in some loose respects I could maybe see it?

But the point is you don’t want to pair a pro player with a new guy with lesser gear. That’s simply unfair. They argue though…that they “prove” as they say:

We prove that equal-skill based matchmaking is a special case of EOMM (Engagement Optimised Matchmaking) on a highly simplified assumption that rarely holds in reality”

Source

So the key word is the engagement. Engagement equals constant play, and as sneakily referenced in papers by EA available at the source: Spending.

Yep. Money plays a part again. So what is their logic here?

Simple. Good feeling chemicals in your brain. Get matched for a few bad rounds with players you can’t possibly beat? The game then pairs you with players you will trounce. You will feel good about the comeback and eventual streak, before being knocked back down again. When the matchmaking lets you win, you are acting as the “Bowling Ball” to the “Pins” of less skilled players. Then those “Pins” get restacked as the “Bowling Ball” and the cycle continues.

A continuous cycle of loss a few, then be allowed a win-streak. Manipulating the outcome of your games by weighting heavily in or against your favour, with the hope the chemicals in your brain form an almost gambling like addiction to the bursts of success. Just like losing at a slot machine and suddenly winning. A burst of that good feeling, and it will maintain a player base.

The logic there is somewhat solid. But of course the word spending comes up. So where does that fit in? Give you a little nudge towards lootboxes of course.

Picture the scenario: You lose a few matches, get some lootboxes for free, start winning, and your brain would associate the two. Just a little nudge.

This adds to dynamic difficulty in that yes, if you lose a lot, you’ll get a leg up. Win a lot, the game just got harder. Not good in multiplayer when the matchmaking decides what role you get.

There isn’t much you can really add to this. As opposed to Activision proposing a system based on your gear and using the “Pin and Ball” effect as I am now calling it, to basically get you enticed into certain lootboxes and chances of getting equal gear, EA is opting to psychologically make you feel good and bad routinely in a form of dynamic difficulty, by matching you with players you will beat with ease, or be beaten by with ease, to keep you playing and spending more.

That’s horrible to think about.

Worse still, we wouldn’t even know it’s happening. We can’t see the backend determining who we are matched with. We would just assume we won some and lost some.

If 2017 was the year of the lootbox, 2018 will be the year of the messed-up matchmaking. Apparently the past 15 years of online play wasn’t good enough to EA.

If you enjoyed this article, please leave a like, comment and do all the usual on social media, and until next time: Happy Gaming!

LawBreakers: You Can’t Sell a Game on a Name

4th January 201824th November 2021Sean Alexander

LawBreakers is an interesting game. Not really from the game part though.

So who has heard of Cliffy B? A man whose affectionate nickname stands out because of his involvement in titles such as Gears of War, Bulletstorm and Jazz Jackrabbit…okay maybe just the first one. He also worked on a lot of the Unreal series. So yeah, guy has a resume.

His latest project was LawBreakers. A competitor, not-competitor to Overwatch. Using anti-gravity mechanics, you could move in ways that differentiated the gameplay from its other hero based shooter brethren.

Unfortunately LawBreakers has been a bit of a flop. In some respects that’s an understatement and I’m sure the game itself has a lot of heart put into it, as the development team is clearly passionate, as is the publisher, but sales wise, it didn’t do well, and it’s player base is unfathomably low.

Personally the first reason I can think of this happening is obviously Overwatch. If you want to release a hero based shooter, you need to stand toe to toe with the marketing juggernaut that is Activision-Blizzard. You need to be able to outpace and match Overwatch, no matter how different your gameplay is, it’s occupying the same space and aiming for the same players.

Just like Battleborn, another game that was attempted to be sold on name alone. Sure, Gearbox software has a name to them, one of…mixed quality…but it’s still a big name. But that enough wasn’t going to stop Overwatch, which release just before it, from casting a shadow and kicking the game aside. Not even going Free To Start saved it.

LawBreakers fared even less well. It came long after Overwatch had established itself as THE Hero shooter title. Millions of players, millions in revenue, it’s a juggernaut. What hope did LawBreakers have of snatching some of that away, especially without the marketing behemoth that is Blizzard behind it?

The next thing that stood out to me, or rather, didn’t, was how under the radar this game was. Before release I was aware of a beta. I was aware the game existed, but I didn’t know much about it. All I heard, and all a lot of articles really said was that it was kind of like Overwatch, and a game from Cliffy B. What the game was certainly could have been conveyed better, especially what made it different from Overwatch, and it certainly didn’t quite grab the zeitgeist like a viral hit would.

The weird thing is, who can say why this happened? I’d certainly like to believe it is because, yet again, you can’t be a comparatively smaller publisher shouting your lungs out about a game, when there is a man with a megaphone right next to you. You won’t win that battle, not without some unprecedented windfall.

It could have just as easily been a case of not presenting the rights parts of the game.

The next point is what I think really damaged the ship. As I stated a lot of the buzz around the game was “It’s from Cliffy B!” and while that CAN sell a game, it more often than not doesn’t.

Example: Mighty No. 9. From Keiji Inafune. Game wasn’t that good really. Heck even long-standing industry veterans can’t sell a game on name alone. The name of the company behind it, or the franchise in question can certainly reach the masses. Granted the game still needs to be good. But the masses don’t know the individuals. Ask anyone who Shigeru Miyamoto is. They don’t care about that. They don’t know the people.

More so, you can certainly say “Oh, this is the man behind the concept”, but…what about the rest of the people actually making the game? Yes, Keiji Inafune could say Mighty No. 9 was his idea but the rest of the team was responsible for execution. A single name behind a game does not a good product make.

The reason I wrote this article is that publisher Nexon had a huge $32.6 million expenses hole in its financial reports, and naturally investors want answers. Apparently that was to be filled by LawBreakers, and the response the company gave was…interesting?

“…the timing of its launch turned out to be unfortunate, specifically the blockbuster PC online game PlayerUnknown’s Battlegrounds came out right about the same time, making the market environment very tough for first-person shooters in general and for LawBreakers”

Source

Now I can understand this being the case on PC. But on consoles? Well Xbox One only just got PUBG and the PS4 hasn’t yet and won’t for a while. So this argument even if true only holds partial water. But on top of that no mention was made to the in-genre competition from Overwatch and Paladins.

But as I mentioned, even prior to launch this game didn’t really spark interest or catch attention. Nexon was banking on sailing a ship into a port already full to bursting with other similar ships. PUBG was just passing by.

This just goes to show that your name can’t sell a game on its own, and nor is throwing yourself into a crowded space without catching the eye of consumers a good idea.

And blaming a game that was passing by? A lot of other games managed to sell well this year despite PUBG being a thing. But damage control is damage control. You can’t tell investors “Our bad” otherwise confidence plummets. When you have a huge black hole in finances the last thing you want is people jumping ship.

As always I hope you enjoyed this article and that you give it a share and comment on social media! Until next time, Happy Gaming!

New Years Resolutions for Gaming Companies!

1st January 201824th November 2021Sean Alexander

2018 is here, and I’m tired of the problems that companies present. A lot of them can just be sorted easily, so here are some resolutions for them all.

STEAM

I’m opening with Steam for the simple reason that as a platform it has the most work to do to change.

Firstly they need to kill off Steam Direct and start using actual staff for curation and in turn solve the highlighted problem of visibility for games, and the use of asset flips. Any platform should not be receiving 6000 games in 10 months, let alone in a few years.

Secondly, in addition to curation of games, actual customer service will be a must. They have some customer like refunds, though it has been proven that is a bit lax, and even with that they still lag behind in terms of actual customer service communication, with some queries being fast, and some taking days or weeks. This is an area any platform needs to get right and with the rise of third-party related issues, this has to be addressed.

For Steam in general, it mostly comes down to manpower and recapturing that desire to evolve the PC gaming space, however as the dominant platform in that sector, it’s unlikely at this stage unless something overtakes them.

THIRD PARTIES

So this is a big one. Perhaps the most shocking thing in 2017 outside of how good the games were in general, was how far third parties fell almost simultaneously.

Micro-transactions and lootboxes do indeed have a place in the games industry, however, it most certainly is not in full priced games, and absolutely not for progression or gameplay advantages. A pay to win structure doesn’t work in full price games. If the game was free then sure, there is your monetisation, but with already heavy season passes, full price games and additional DLC, it has become a bit ludicrous.

Secondly, PR! Perhaps Bungie has been the biggest culprit of this but that’s not the exception in recent months. Destiny 2 became an apology loop with each update and fixes for basic things, or things that should have been improved from the original game, were purely reactionary to backlash. Further to that point, EA has truly put their foot in it, with the contempt aimed at gamers being duly noted.

Finally, third parties in this coming year need to stick by what they say, and stop treating gamers like fools. Bandai-Namco and their “Show your support and maybe” approach to getting people to advertise their games for the promise of a Switch port is one thing, when done numerous times, but then the obvious tomfoolery from other companies beggars belief. 2017 was very much the year when the community bit back. Let’s hope they reflect on it.

PLAYSTATION

PlayStation is in a tricky spot. On one hand they have almost monopolised the industry, with sales left and right. One thing they need to do is keep the games coming and keep dropping fan favourites but also not lean on remasters too hard. Additionally, they need to avoid a repeat of 2016 and front loading all their first party titles.

Next, VR. 2 million sales is nice but the asking price combined with the price of a PS4 demands killer apps. Those killer apps need to come sooner rather than later, otherwise the market will stagnate. VR has a bright future, once revised and refined, but it needs to sell on concept first, and the concept needs big hitters. The catch is Sony isn’t known for supporting two platforms equally.

Next is doing what fans want. We want cross-platform play. Every other system has it. We want backwards compatibility of higher quality and frequency than we have had for the past few years. These are areas that Sony is being left behind in, and as much as they want it to be all service based in future, I don’t think other industries and infrastructures are ready yet.

Finally, don’t announce games so early anymore. The “Holy Trinity” of E3 2015 has only had one release so far and the other two are vaporware. God of War STILL doesn’t have a release date, and Spider-Man is likely to show up for the third E3 in a row. Further to this, don’t go to so many conferences, at least not within 6 months of each other. Spread them out, otherwise we end up with PSX 2017 being a repeat of Paris Games Week which was a repeat of E3, which was a repeat of the last E3.

Oh, and put a better damn battery in that controller. It’s laughable.

XBOX

This is tricky. On one hand, hardware wise, Xbox is fine for now. The One X is the enthusiast machine and the One S can live as a UHD Blu-Ray and streaming box. One thing it lacks is games.

It gets a bevy of third-party releases, but first party is terribly lacking. Most releases were pushed to 2018, but even then you can count them on one hand. I fully hope HALO 6 is a 2018 announcement at the very least. This is an area they need to heavily work on.

Second is Japanese games. Sure the brand isn’t big….at all…in Japan, but it will help reach a greater audience that the PS4 and Switch hit. As it stands Xbox is very much a Western device, and that’s its weakness.

Backwards compatibility needs to continue as is, as does pushing cross-play across platforms alongside developers and Nintendo. The PC support via Windows Store is nice and it is clear the future of Xbox is a service over a dedicated box on its own, but the focus cannot shift too far from selling consoles.

Stop shutting studios and show off that fabled (HA) AR/VR gadget you’ve got going on.

NINTENDO

So what can Nintendo do after an incredible 2017? A few things.

Firstly, mobile. Keep going as is, with not at all invasive monetisation (Seriously, Fire Emblem Heroes is VERY generous!) and two or three games a year. The view that the revenue is funnelled into game development and the games exist as an entry point to the main games is genius and seems to be working well.

Secondly, Directs. Keep the current format for Nintendo Directs and their frequency. These are amazing ways to communicate with consumers and get news out fast and in great volume. Sprinkle some Nindie Showcases and game specific presentations in the year, and the communication front is set.

On to Nindies: Don’t stop. Maybe rework the eShop for visibility purposes but keep those indies coming. The sales don’t lie and nor does the consumer response: Switch is an indie dream machine and in the wake of PlayStation apathy and Steam being a mess, this can be readily positioned as the new home for indie developers.

Regarding services, outline the Online Service at some point during the year, it’s feature set, and other aspects like the free games and discounts and such. I won’t expect Xbox Live levels of incredible, but enough to justify £20 a year. If you are feeling generous, maybe a Virtual Console service? Though that has in past damaged eShop sales for indies, so maybe stick with the Classic Mini systems instead, with an N64 one this year?

Get more third parties on board and if need to, keep paying them for games. The shining hopes are there with DOOM, Skyrim and soon Wolfenstein, as well as L.A Noire proving a hit. Now is the time to pick up steam. Ports of older games get a new lease of life and modern games can run with some effort. So bolster that library.

First party releases need to maintain speed, and the big game a month approach also should maintain. One or two months without works fine, those typically end up being third-party dominated months like November, so work around that.

Finally, slowly phase out 3DS. As I have mentioned before it is a budget option now, and with smaller titles, localizations and third-party efforts coming in 2018, it’s time to let it simmer and slowly phase out.

Maybe a Switch price cut too, towards the end of the year? That’d be cool!

And those are some gaming resolutions and a to-do list for companies this year. May we hope they all come true. Some will, as some are safe bets, others are merely hopes and wishes. If you liked this article, give it a share on the social medias, and I will see you next time! Happy Gaming!

2017 In Gaming: A Look Back Over 12 Months

27th December 201724th November 2021Sean Alexander

2017 has been a bit of wild ride, from new systems, new franchises, a lot of old franchises, incredible highs and some very deep lows.

If you were to really take away one from this year in gaming, it’s that new hardware came and really impressed the world.

Where the PS4 Pro was a relatively safe (And some would argue lacklustre) refresh of the PS4, the Xbox One X stormed ahead and probably could just be considered a new generation of hardware of its own. This machine has proven itself to be a real powerhouse, and a lot of people were doubting it, both in part to the Xbox One having lower sales than the PS4, but by no means bad, we should stress, and its high price leading to a question: Who is it for? For the enthusiast it has taken the crowd by surprise.

Also of note is the Nintendo Switch, a machine so many were down prior to launch, and coming off the back of the Wii U and 2016 had many wondering if Nintendo had a place in the market anymore, including its own software partners. While it had a quieter start, demand was high from the off, and only grew. The real story is how over 10 months the perspective changed from doom and gloom, to “Oh it’s only early success, itll fall off”, to “Itll be dead by Xmas”, to a quieter rumbling of things still left to improve. If that isn’t a turn around, who knows what is.

The 3DS also had a hot year with many in-demand games and its end of life revision in the New 2DS XL being released. The little handheld has some time left in the sun, but no more than a year or two.

The PS4 had a quieter year, if only because business as usual isn’t noteworthy. 70 million units out in the world now, 4 years in, that’s pretty good. PSVR also hit 2 million despite a lack of compelling software because…price cuts I suppose, but the VR competition is lagging behind, and the market shows a chance of stalling without further innovation and software.

Overall then, hardware wise, it has been a fantastic year with every company really on top of their hardware game.

On to software then, the success stories really come from Sony and Nintendo, with Sony opting to front load its year with first party releases and major third-party titles before dropping off and letting the maligned GT Sport and third party deals flood the latter half of the year. Additionally, press events like Paris Games Week and E3 left a lot to be desired. People can only see the same game so many times without a release date.

Nintendo maintained a steady stream of games for both systems throughout the year. Critical and commercial darlings flooded their hardware and third parties developer some strong showings for once, despite a lack of desire to do so early on. Furthermore, gamers proved receptive to the software, with titles like Splatoon 2, Breath of the Wild, and Super Mario Odyssey setting records for their respective franchises.

Microsoft once again limped along on third-party offerings, but majority of sales were on PS4. Furthermore the cancellation of exclusives like Scalebound and closure of notable studios left the future in question, as well as delaying what few exclusives were planned to next year. Maybe it will pick up then.

The indie scene proved to be on fire with once again the Nintendo Switch dominating the stories there with very high indie sales. Steam fell behind in this regard and Sony seemingly lost interest, but the quality on display this year has been unmistakable.

Third parties as well proved a force to be reckoned with. If we ignore EA, as Mass Effect was a mess and their later games proved less than welcome with bad business decisions. Games like Nier, Nioh, Sonic Mania, Wolfenstein 2, Assassins Creed Origins, Mario + Rabbids, all proved surprise hits. Sure there were duds like Sonic Forces, but third parties not only showed renewed passion in their work, but renewed creativity.

Interestingly 2017 saw huge backlash against micro-transactions and lootboxes in gaming, as companies attempt to push them harder and harder into the core structure of games. This perhaps will be evidenced next year if more games opt to do this, and maybe this indicates a boom in the indie scene. Certainly “AA” games like Hellblade have shown they have a place, and companies like Square Enix have renewed interest in mid-range titles.

2017 will likely go down as a highlight year for the renewal of an industry that seemed to be struggling with staying fresh. Many companies came back from the brink and brought their A Game, and while there were some very loud duds from some, and some fresh controversy, it doesn’t drown out that regardless of what platform you choose, you had a fine year.

Except maybe Steam. I can’t see wading through that as fine. Seriously, sort that out Valve.

You’ll need to forgive me about this being a shorter piece. There isn’t much to say for this year beyond “It was really good”. Barring the issues around lootboxes later in the year and EA being EA…it’s been a fine year all around! So until next time, Happy Gaming!

Sonic Forces Has Some Dire DLC…

22nd December 201724th November 2021Sean Alexander

I never thought I would write the following words: Super Sonic is DLC.

Okay, so before we go in to this, we need context on both Super Sonic, and Sanic.

Sanic is a meme. Honestly I would love to just leave it there and have it expunged from the game entirely, but the series has decided to embrace the crudely drawn MS Paint rendition of Sonic, dubbed “Sanic”, in ways that move beyond just the TV Show as a reference (Alongside the fan-fiction of all things) and a nod in LEGO Dimensions.

Sanic is available, for free, in all copies of the game, as a t-shirt design for your custom character. Okay, at least it’s free. I mean I would honestly prefer it if the series was a little more….delicate? about being self-aware, rather than just opening the door and saying “Yes, all this mockery online is entirely just”. We all know how the mockery of a fan base can actually impact people mentally, it’s not a very smart thing to do, just let folks enjoy what they enjoy, you know?

I think there is a fine balance between being self-aware and poking fun, and straight up embracing what was a joke meant to demean the franchise and it’s titles (Because many have been lacklustre prior to 2010, and a couple since) feels like…almost giving up. Like the series has no integrity anymore. On one hand yes, nice joke, and in some loose ways it does fit the avatar creation side of things.

On the other hand, you put a reference to a meme used to demean the franchise…in Sonic Forces.

This is a game that is hardly “Good”, instead treading the fine line of mediocre to plain boring, it has obvious development problems, clear instances of things being scrapped and restarted, insanely short levels and not very fulfilling gameplay, and what do they do? Put some DLC in the game used to mock the franchise. Did they actually not see how amazingly self-fulfilling that is?

But anyway, on to Super Sonic. This little feature has been a part of the games since 1992 in Sonic the Hedgehog 2, usually as a reward for certain tasks, like clearing the Special Stages, or for the unlockable final boss throughout the mid-2000s.

Super Sonic did return to fully playable status in 2010 with Sonic 4 and Sonic Colours (The first time ever in 3D), and this has remained the case for Generations, Lost World, and Mania. Super Sonic has been there as a reward for completing the game, or certain milestones.

So Sonic Forces came along and in the PC version they found inaccessible (Though later accessed and fully playable not long after the game came out) code for Super Sonic. It’s in the game, fully playable. I assumed it was just dummied out. I wish it was.

So again, for 25 years Super Sonic has been a part of the franchise as your reward. An in-game thing meant to reward you (Or beat up a final boss in some cases). In Sonic Forces however, it’s in the game, but you can’t access it. Unless you pay up for some DLC of course.

Yes, for the first time ever, this feature of the series for over two decades, is now on-disc DLC. I am absolutely dumbfounded and also surprised. It’s free for around a month, but as of late January, cough up some dough for Super Sonic.

This is honestly a problem that goes further than the Sanic DLC, as this is removal of a series staple and put behind on-disc paywalls. It’s very egregious, and frankly one thing it does have in common with the Sanic DLC is the feeling that it’s just rubbing salt in the wound.

We had it so good, heck Sonic Mania was months ago, and this game comes along, from the team that brought us Colours and Generations, two highly loved games, and it falls flat in so many ways. To rub it in how unfinished the game feels, we get to wear a mockery of the series made official, and pay up for things that used to be standard.

At the same time though, as we have talked about here before many times, this feels like it is becoming the norm. Things you used to be able to just do are now locked behind cash, and the games mock you in the same way trolls on the internet do.

I don’t know what is worse really: Seeing Super Sonic become on-disc DLC, or having to see a meme people have almost weaponised in a game so utterly mediocre it surpasses parody and enters the realm of “Oh we know”.

I guess we can rest easy knowing Mania 2 will be a thing?

Behind The Game: Games of the Year!

20th December 201724th November 2021Sean Alexander

Rather than do a numbered list, we will just be posting our favourite games of this past year.

In reality, a lot of games I played this year were from years past, but I have picked up plenty of 2017 titles, so let’s dive right in, in no particular order of course.

There will be some close omissions, and a fair few popular games are ones I haven’t simply had the time or money to get around to playing this year, such as Persona 5, but I am most definitely aware of their impact and deserved praise.

Sonic Mania

Available on PS4, Xbox One, PC and Nintendo Switch

Developer: Christian Whitehead, Headcannon, PagodaWest Games

Publisher: SEGA

We reviewed this game and gave it glowing praise, granted it isn’t perfect, as a testament to what makes a great, fast paced, replayable 2D Adventure. Be it the stunning visuals in all their HD Pixel-y glory, or the jazzy retro soundtrack from Tee Lopes, there is something for any fan of platformers to enjoy. If you want some retro 2D goodness, this is where you go.

Chicken Wiggle

Available on Nintendo 3DS Systems

Developer: Atooi

Publisher: Atooi

From the 2D wizards at Atooi under Jools Watsham we have Chicken Wiggle. This game is certainly a welcome addition to the ever-expanding 3DS family that flew under everyone’s radars amongst all the Switch hype this summer. The gameplay is charming and simple, but buried within is the incredible level creation tools used to create the game with different objectives and the ability to share your creations with other players. Give this one a go if it’s your fancy. This is the prime level creation community game for 3DS!

Mario + Rabbids Kingdom Battle

Available on Nintendo Switch

Developer: Ubisoft Milan/Ubisoft Paris

Publisher: Ubisoft

Another game we have written about before, this time in the form of a Behind The Game examination, Mario + Rabbids is a game that admittedly drew me in to tactical RPGs. My wallet cries already. Where other games have lost me on overcomplicated mechanics, Kingdom Battle strives ahead with simple but in-depth mechanics, and a true to form presentation backed up by Grant “Noggy” Kirkhope (Sorry Grant, but Twitter doesn’t lie!) and his traditional jaunty tunes bringing each world to life. This is a game full of surprises and well worth picking up, even if it can beat you down without mercy!

Metroid: Samus Returns

Available on Nintendo 3DS Systems

Developer: MercurySteam

Publisher: Nintendo

MercurySteam may have a history with Metroidvania titles, but nothing quite does their talents justice than Samus Returns. Sure the game can be difficult, very difficult at times, and it’s structure being based on Metroid II Return of Samus maybe doesn’t give it quite that open-ended Metroid feel we are used to, it is still a fantastic atmospheric and well-developed title, with unique twists to really make it stand out amongst its 2D Metroid brethren. Even just as an action game, you can’t go wrong here.

Crash Bandicoot: The N. Sane Trilogy

Available on PS4

Developer: Vicarious Visions

Publisher: Activision

Crash is back, and it is truly fantastic. Faithful (At times to a fault) remakes of the original trilogy from the PSone days, this is a trilogy available on PS4 that any PSone, platformer or retro fans want to nab. Difficult, charming, and true to the spirit of the originals we remember, this is the return the Bandicoot deserved. They even threw in some little bonuses and attention to details that fans will appreciate.

The Legend of Zelda: Breath of the Wild

Available on Nintendo Switch and Wii U

Developer: Nintendo EPD

Publisher: Nintendo

So full admission going in to this: I’m not a huge fan of 3D Zelda. Something about the slower starts really turns me away. Up to the release of this game the only one I beat was The Wind Waker HD. So to my surprise, the speed at which this game lets you begin, let’s you learn and progress entirely at your own pace and gives you this huge captivating world you want to explore, even if the rewards aren’t all worth it. There are annoyances, but like many games above, this simply captivated me into continuing, just to see what was over the next ridge. This is a game I can safely say will give you an experience totally unique to you.

Snake Pass

Available on PS4, Xbox One, PC and Nintendo Switch

Developer: Sumo Digital

Publisher: Sumo Digital

One thing I always adore in games is a unique idea, and this is no different. How do you do a platformer….without the power to jump? Simply put, you use a snake. Snake Pass caught my eye from day one just as something different. Another charming almost throwback to the past, with the unique challenge of learning the physics and how Noodle works to explore the levels. There are plenty of optional challenges should you desire them, especially going for 100%, but impatient sorts will find themselves in a bit of a tangle. Stick with it though, and you’ll soon see what makes this such a gem.

Snipperclips: Cut It Out, Together!

Available on Nintendo Switch

Developer: SFB Games

Publisher: Nintendo

Yet another game that caught my eye due to its unique premise. You and a friend, or yourself on your own I suppose, co-operate and communicate in short puzzles that test your cunning, wit, and inevitable use of innuendo to refer to certain strategies. This is a game I am very happy to see get more content, if only for simple fun with friends. This is the top co-operative game this year for me, and nothing beats the blushing, laughter, and sound of gears turning in your mind when you sit down and play with friends for a few hours. You’ll be hard pressed to keep a straight face with this as your friend asks you to “Snip” them!

Super Mario Odyssey

Available on Nintendo Switch

Developer: Nintendo EPD

Publisher: Nintendo

Another for us platformer fans. Of course a successor to Super Mario 64 would be great but I had no idea I would be sinking 40 hours of my time, over a few nights, to get 100% in this game. I was unprepared for the variety, the creativity, the sheer joy at even simple actions, in a game that both looks back, and pushes forward. What it has is unique and incredibly solid mechanics and worlds, and only rarely loses focus with the sheer volume of content. This is a game you will come back to in years to come and still find new ways to approach things.

Splatoon 2

Available on Nintendo Switch

Developer: Nintendo EPD

Publisher: Nintendo

Rounding out one of my favourite years in gaming so far is Splatoon 2, a game that manages to pull me back in for an hour or two a week just to mess around with the new content. Fun, colourful, and an improvement over the original, this is my multiplayer game of the year and for good reason: It’s simply fun. Not only does it capture the perfect “One More Round” mentality, but it keeps itself fresh week after week, and the sheer abundance of modes means every time you play, you’ll catch yourself trying something new. This takes an already unique concept one step further by simply giving you more bang for your buck.

Those are just 10 of my favourite games from this year. Of course I intentionally left out re-releases like Mario Kart and Mega Man, but some genuinely amazing games were also up for consideration.

I’m very glad to have had an amazing year in gaming with both big and small companies providing the good stuff in a multitude of genres and it’s a shame I can’t play them all. I have an ever-growing wish list of 2017 games I still want to pick up and play!

Yes there are the usual suspects, but one can’t forget this year for me has been a year of unexpected gems, and indie developers absolutely bringing their A game.

As always if you enjoyed this or have any other games you personally loved this year, please let us know on social media and give this article a share, and I will see you next time. Until then, Happy Gaming!

Valve: Why Did You Stop Evolving?

6th December 201724th November 2021Sean Alexander 2 Comments

Valve created Steam well over a decade ago now, with the sole purpose of reinvigorating, restoring, and evolving the PC Gaming place. So why the hell did they stop?

I will open this by saying, while I am very much a periphery to PC Gaming and its largest audience, I have been aware, involved in, and observant of it for well over 5 years. In those 5 years, I have seen my housemates, friends, colleagues, all using it, but I never dived in. Something felt wrong.

That something, was how I was always reminded I was looking at something from the mid 2000s. Clunky, albeit robust in a way, but the impression I always got from it was the “Ma and Pa store on the high street”. Quaint. Funny. Quirky. A great idea that needs to grow. That’s what people said about it. In some ways, yeah back when it was new, that probably actually was the image it had. So why in 2012 did I still see that?

The thing with Steam is that it’s the primary digital distribution platform for PC. Sure you have Humble and GOG, but they don’t come close to the market share. If you want games, you use Steam. If you want deals, they can often offer great deals, just to keep that competition down, as they’ve been there the longest, and have accumulated a lot of wealth in the back pockets.

Valve created Steam as a way to revitalise PC Gaming. It had hit a slump when Steam first came along, it needed some solid store presence, and that was Steam. You can get refunds, you can get games with great deals, download them to your device, and pray you can play them without some additional DRM getting in the way (I mean, Steam is DRM).

In the mid 2000s, sure, that was awesome. in 2017 though, and even back when I first saw it in 2012, has it evolved much? No, not really. Steam has numerous problems, all traceable, as far as I am concerned, back to one thing and one thing only. The two main problems I want to focus on though, is functionality, and content. They have the same root cause however.

Look how far I had to go before I stopped seeing “Released on Today’s Date!”

Starting with functionality, Steam is a bit of a mess. It’s all algorithms, something now even YouTube is realising probably isn’t the best way to handle things. Games are suggested half-heartedly, there are “Alleged” content filters for you, it’s very automated. It’s mechanical, a process. That very process with some things is unrefined. Take for instance screenshots, because you can’t just PrintScreen stuff, you press F12. But to view said screenshot in your accounts gallery, listed under your account, there are steps to take.

I actually asked some PC aficionados why this is. They said it’s because you don’t want all your screenshots being viewed publicly. I told them, well like on any other platform, they should just be saved to your gallery, where you can then edit and set permissions as to whether some are private or not. Simple stuff. Turns out, you can set permissions like that, but not from within the gallery, but from within the incredibly small “Main” menu at the very top of the UI, under Screenshots, which is where you go to publish screenshots before they enter your gallery, and I have to ask, why? Why has this system been left in place when across almost every platform imaginable, it is streamlined and simple? Why did Valve simply stop evolving Steam, something they made Steam to do in the first place?

But that isn’t all. That is minor functionality compared to refunds. In the event of a refund, it is only eligible within two weeks, and two hours of play time. So why, please someone tell me, can someone live stream an entire game, just under 4 hours, and then live stream themselves being awarded a refund with a false reasons given being “I bought the wrong game”? Let’s ignore the fact they live streamed it, and question why the hell Steam awarded a refund for a play time that was out of the rules they themselves set? Do they just not care? There has to be someone on the other side right? Otherwise that wouldn’t just go through an automated system!

This is baffling. Steam has these rules in place and they can just be walked around. Casually is if nothing is wrong with that. This loops back to the problem of content now.

It has been well documented by critics such as Jim Sterling and others, that Steam has a curation issue. No one is actually at their desk doing anything, and if reports are anything to go by, Valve doesn’t have a defined structure, staff just do whatever, and having seen Half-Life get a patch earlier this year I can believe that.

Steam left curation to the community. A bold idea, back when it had the Ma and Pa store look to it, but now, Valve Corporation, you should have staff. God knows you have the cash to do it! But back to curation, Greenlight, as anyone who leaves something up to a community will know, was a disaster. Abused, broken down, and indies felt their genuinely good games are, well, buried really. They are.

Now with Steam Direct….let’s not even go there. It’s done nothing. It hasn’t helped. The entry fee is the same as it was for Greenlight, which doesn’t help matters, and it seems like there is less curation. Indies have become openly resentful of the situation, and I have to agree.

In a 10 month period where 6000 games are released on Steam (Yes 6000), which is a 50% increase over the whole of 2016 at 4000, one has to wonder why a single platform is getting triple the games that the PS3 got in its lifetime, in less than a single year. Why is this the case? Does Valve not have any concept of curation? No, they don’t, and we come to what I believe is the root of the issue.

Money. Valve is swimming in it. They evolved the PC space and made bank, competitors can’t come close to their market share as they have the funds to flash sale away and keep people in the ecosystem.

Valve even makes games! Well, I say that loosely. They made a few games, maybe once or twice a decade, and just rolls in micro transactions and DLC sales, and of course, a cut of all those submission fees they get from Steam Direct, and every game sold on Steam. Now as for why I say they make/made games in a loose manner, is because…well a lot of them they just bought, or were mods of games that they published. Valve themselves do very little, they don’t need to. They can sit and be happy.

Steam was created to evolve PC gaming. But Valve, being a corporation, as much as they like to say and act otherwise, has hit the gold rush and stopped. They don’t need to anymore. They don’t need to be proactive, keep pushing with their philosophy, or even make games! Money just makes itself now, and the rest of the world is evolving past them. Valve has become purely reactionary, you can see that with how they handle even controversy and poor games: It’s all after the fact.

Valve….I mean at this point my only suggestion is hire people. Get a corporate structure, get people to actually work. Or any day now, hopefully, someone will come and evolve the market in a way you should have done ages ago.

Thanks for reading, and if you have any comments or want to share this with friends, please do so! Thanks for reading, and Happy Gaming!

“Yeah, I Am AWESOME!”

Story of Ys VIII?

How Is The Gameplay?

Progression?

What About The Post Game?

Any Negatives?

To Conclude?

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Welcome to the first Behind The Game Podcast, discussing the last week in gaming.

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An exercise in frustration, or an amazing game with a great concept?

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This was something I have mentioned in passing but recent papers from EA (Surprise…) have revealed that money is likely to determine our online gaming…

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LawBreakers is an interesting game. Not really from the game part though.

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2018 is here, and I’m tired of the problems that companies present. A lot of them can just be sorted easily, so here are some resolutions for them all.

STEAM

THIRD PARTIES

PLAYSTATION

XBOX

NINTENDO

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2017 has been a bit of wild ride, from new systems, new franchises, a lot of old franchises, incredible highs and some very deep lows.

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I never thought I would write the following words: Super Sonic is DLC.

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Rather than do a numbered list, we will just be posting our favourite games of this past year.

Sonic Mania

Chicken Wiggle

Mario + Rabbids Kingdom Battle

Metroid: Samus Returns

Crash Bandicoot: The N. Sane Trilogy

The Legend of Zelda: Breath of the Wild

Snake Pass

Snipperclips: Cut It Out, Together!

Super Mario Odyssey

Splatoon 2

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Valve created Steam well over a decade ago now, with the sole purpose of reinvigorating, restoring, and evolving the PC Gaming place. So why the hell did they stop?

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